Showing posts with label indian traditions. Show all posts
Showing posts with label indian traditions. Show all posts

December 24, 2013

Faces of India-14

The series continues....

For this post, I am going to concentrate on children, mainly from Kutch region. With their colourful attires and beautiful faces. they are my favourites.


                                                              Photo: Children of Kutch-1

Expressions on her face fascinated me.I found them undefinable. Quite a confident young lady at this tender age.


                                                                    Photo: Children of Kutch-2

She made an attractive picture with her colourful bangles and equally colourful dress.


Photo: Children of Kutch-3

Expressions on their faces brought a smile on my faces and a joy to capture.


Photo: Children of Kutch-4

Quite a serious look !!


                                                             Photo: Children of Kutch-5

Innocent young girl with direct look!


                                                                  Photo: Children of Kutch-6

At last a boy, with her equally colourfull shirt.


November 25, 2012

Faces of India - 11



My fascination with "Faces of India" continues. I feel that Indian people have expressive faces,making them photographer's delight. Colourful background provides added

 dimension to the beauty of the face.




In today's post, I am uploading photographs of the people I have captured on the Indian streets in various situations.



Pol of Ahmedabad is a wonderful place for people watching.



Sometimes,you see really interesting and funny sights on the streets of India.


Donkeys also needed parking place!


Buffalo looked longingly at someone carrying sugarcane!


While one side of the road was occupied by the sugarcane sellers,other side had congregation of painters.


Turn the corner and you can see thread dyers, preparing thread for the approaching kite festival.

January 03, 2012

Matani Pachhedi -Kalamkari art from Gujarat, India

Making of Matani Pachhedi(backdrop) is traditional craft from Ahemedabad,major town of Gujarat,India. Matani Pachhedi is kalamkari art similar to one which is practiced in south India. "Kalam" means pen and "kari" means craftsmanship or artistry. so roughly speaking this art is "artistry with pen" or "drawing with pen". Matani pachhedi is dedicated to goddess Amba or Durga. Drawing depicting stories from mythology related to Goddess Amba, is made on cotton fabric. This cloth is used as a backdrop in temple of Goddess. Idea very similar to "Pichhevai" art form of Rajasthan.


Photo description: Matani Pachhedi with its intricate drawing

This 300 years old art form is tradition of "Vaghari" community of Gujarat. Traditionally,only Maroon and Black colours were used for motifs, in this sacred cloth. Black was also used for giving outline to motifs.Today they have become riot of colours,thanks to their demand as wall hangings for homes. Maroon denoted mother earth and Black was used as a protection against evil eyes. Background colour used to be White traditionally. 


Photo description: Traditional colours were Maroon and Black.

I had an opportunity to meet Mr, Sanjay Manubhai Chitara ,master craftsman, who has won state as well as national award for keeping alive this traditional craft. 

Drawing is done by Bamboo tip, finely sharpened, to draw fine outlines. 


Photo description: Drawing by Bamboo Tip


Photo description: Outlines were drawn using Black colour

Intricate basic drawing is done by males of the family while colours are filled in by female members.


Photo description: Maroon colour is filled in drawing

All colours used for Pachhedi are vegetable dyes. Making it eco-friendly product. Once this piece is ready it is washed in river water before it is used.


Photo description: filling the colours


Photo description:  Plain border on all sides.


All pachhedis have plain border which is also known as Lasso Patti.






Photo description: Traditional colours of Matani Pachhedi

My fascination with India's traditional arts,crafts and textiles gets stronger with each foray into their wonderful world.










November 28, 2011

"chopda"-Handmade book-keeping books....tradition of India

In India, accounts are written in "Chopadas" - as book keeping books are traditionally called. Chopadas are vertical books and opens from bottom to top rather than right to left like all books. They are always Red in colour.Books are hand stitched with White thread and photo of Goddess Laxmi is stuck inside.

Though now people use computers for maintaining their accounts, they still worship the chopadas on Diwali day. On Diwlai day "chopada pujan" is organized and first page of the chopada is marked with some sacred words.

These chopadas are handmade. Mainly Muslim community is involved in making these chopadas used by traditional Hindus.This tradition is slowly on its way out and will soon become thing of past.

This chopada making starts 3 months before Diwali.I took opportunity to visit one such place and enjoyed clicking slowly dyeing art.






















November 22, 2011

"Kharad"- Carpet weaving technique of Kutchh

"Kharad" ,carpet weaving, is an ancient traditional craft native to region of Kutchh. Beautifully handwoven carpet in either sheep wool or camel hair are treat for any lover of traditional crafts.



These carpets are made from hand spun yarn (wool as well as cotton),dyed in vegetable dyes and hand woven on traditional pit looms. This makes it eco-friendly product which itself should make it special.






They are mainly woven in geometric patterns.


Today only few families are involved in this traditional wonderful art. One more craft on deathbed?








October 01, 2011

Tangaliya Weaving- Dyeing craft of Gujarat


Recently I had a chance to visit village of Dedadra in Surendranagar district and see unique textile tradition of Tangaliya weaving and interact with craftspeople.

Gujarat,western most state of India,has always been famous for its textile traditions. Surendranagar district of Gujarat is one of the largest producer of "Shankar" cotton in the world. No wonder many textile traditions, like Tangaliya weaving, Khadi , single Ikat have flourished in this region.





Arid land of Surendranagar District


Tangaliya, 700 years old hand weaving technique, is native to Gujarat. Traditionally it is woven by Dangasia community of Surendranagar district. Dedadra village is one of the main clusters for Tangaliya weaving.




Dedadra Village

There is an interesting story behind Tangaliya art. According to folklore one Bharwad (shepherd) boy fell in love with daughter of weaver and married her. This displeased his family and he was thrown out along with his wife. So he settled down with his in-law's family and continued to herd sheep. Slowly he learned art of weaving from them. He used sheep wool for his weaving and started weaving shwals. Thus the art of Tangaliya weaving was developed. Today it is woven using varieties of yarns like cotton,merino wool and eri silk. Product line has also developed keeping in mind modern requirements.Interesting sidelight to this story is that, today this art is not taught to daughters of the family, as daughters can pass on this knowledge to other families when they get married and create competition for existing craftsmen!! Idea of protectionism exists since ages it seems!



Bobbin being prepared out of yarn



Creel




In summers and winters,warp is prepared in the open while in monsoon it is done indoor.





Yarn is ready for weaving.



Warp is ready.

Tangaliya weaving is very labour intensive process. It is special technique of weaving where dana-work (bead of yarn) is done using cotton yarn. Bead is formed by tying yarn on 2,3, or 4 warps depending upon design. This also brings out design on both sides of fabric.


Attaching a dana(yarn bead)










Traditionally weaving is done on pit looms ,though at some places now frame looms are also being used.




Weaving in progress.








Fabric is ready.

Unfortunately today this beautiful art has no takers. Government has give "GI"(Geographical Indication) tag to this crafts which means quality assurance and also defines facts of its origin. But no follow up measures are taken by government for marketing of this product. Weavers lament their woes. Many of weavers do weaving only part time as they do not get sufficient work. More and more of them are now leaving their traditional craft. They prefer to work as farm labourers rather than do weaving as it provides them with continuous work. Is this end of road for this hand weaving craft too? It seems it will soon die and future generation will not enjoy beauty of this wonderful craft.

Hands that weave
tell thousand tales
of relentless toils.

Patterns and weaves
come and go
in thread he weaves.

His soulless eyes
search
designs of his dreams.

Reds and Greens
just remain
on the beam.

White and black
and hues of Grey
paint his life grim.

solitary figure
bending on his loom
in airless room
waits for his doom.
Future unknown
he bemoans.



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